Thursday 25 October 2012

Thriller Development #6: Schedule & Equipment List

Equipment list: 25th October - 5th November

x1  Sony video camera
x1  Tripod
x1  Tracking Dolly - Tracking Shot
x1  Camera Charger
x1  Maxwell DV tape



For all scenes (Except Therapist scence) Rose and Abigail are needed.
For Therapist scene - Jos and Abigail

Props by scene see: Props by Scene


Changes: Sunday 28th October has been changed to Sunday 4th November

Wednesday 24 October 2012

Thriller Development #5: Characters & Cast

Characters

The Protagonist is a college student who is emotionally isolated from society. She enjoys her own company as she is socially dysfunctional. For years she has been followed/observed by a mysterious figure. It follows her everyday, but has never made contact with her, frightened her, or harmed her.

The Antagonist is the aforementioned figure. The figure is silent and wears a long, black coat, and a mask. It silently stalks the college student, and is never acknowledged - as though it's not even there. The Antagonist's presence adds to the eerie atmosphere.

The Therapist is interviewing the protagonist, asking them what happened (reminiscent of the archetypal psychological thriller). The therapist is presented as a clean and tidy workaholic, who is learning about the protagonist's dark past.



Cast

Therapist - Jos Banthorpe 
 Antagonist - Rose Denmark 
Protagonist - Abigail Fish 




Casting Decisions: 

Jos

I asked Jos to play the Therapist because she is an adult. This would make our thriller more realistic then using a teenager as a therapist. She has acted before for projects back in 2010 when I helped out a university student with her media project. Jos acted in it also. Jos is part of the Foulsham Entertainers, who perform yearly variety/themed shows to raise money. 


 


Abigail
Rose
 
 

Abigail is playing the protagonist because it is convenient for the bus scene (and other scenes that take place in the village). She was happy to do so and as a bonus made filming easier due to all the cast living in the same village. 

 
 
 
 

Rose is playing the part of antagonist because the identity of the "figure" remains a mystery throughout, and so gender does not matter. Again, this is also convenient when filming scenes in the village.  As my sister, she was happy to help out because her part was covered up and speechless. 


Thriller Development #4: Location

Location Analysis:


Bus Stop, Dog Walking and Park scene: Location. Draw stick figures to represent where characters will be.



Therapist Room



Books and shelves indicate tidy professional. Planning to put in a desk and organise furniture around it too look like an office.   




All but Walking/Lamppost scene have already been filmed. We changed our original decision to going to Abigail's house because it would of been a lot easier to do it all at mine. So we comprised and used similar settings.
We decided to use the school bus stop and filmed the school bus.  

In each scene the Antagonist would stand silently in the distance or nearby the protagonist as they did daily/ordinary activities all basic everyday things.






The window scene downstairs - The scene where the bloody hand print hits the window and then it cuts to the title of the film. The thud we aim to have on the window should make people jump.

The window scene upstairs - When the protagonist opens the curtains and see the antagonist in the road. It will show that the antagonist is everywhere and the protagonist can't escape it, but also doesn't want it to go away because it doesn't bother them.

Dog Walking - The isolated path looks fairly dead with bits of colour. The antagonist just 'pops' up in between the hedge as the protagonist walks past - Creepy/Stalker 

 Walking/lamppost - The original plan was to film walking around the corner with the lamppost on but sadly the lamppost light didn't work so we comprised to using the desolate telephone box which has a light inside that flickers occasionally.

Bus Stop - The bus stop scene portrayed school life for the protagonist and shows how the antagonist is EVERYWHERE! This scene when filming was easy but you could only take one take a day due to the bus leaving for the high school 

The locations are fairly isolated like in "No Country for Old Men", where there are people around but you never usually see them. The location is isolated but your not cut off from the world.   




Tuesday 23 October 2012

Thriller Development #3: Costume & Props

Costume:


Therapist - Red Lipstick, Red Nails, Tied up hair, Formal Clothing. 

Why? - To be professional and bring colour to the opening. Almost to show her sanity in comparison to her patient. 


Antagonist -We chose the black coat and to use a mask because we wanted the antagonist to have no identity. So no one can relate to him or see him as a human. We borrowed a V for Vendetta mask from another media student who isn't in our group. We wanted to have a black coat because its dark and black can be associated with evil and bad. 

Protagonist - Wearing simple but dreary clothing. We decided on this because it wouldn't show her as  anything special. Just a normal person who was slightly different. 

Props by Scene:

Therapist Room: 
  • Desk
  • Chair
  • Lying down Chair
  • Desk Lamp
  • Folders and Papers

Bus Stop:
  • School Bag
  • School Bus - Richards Bus 
  • Other passengers

Dog Walking:
  • A Dog (Rolo - Alice's Dog)
  • Lead and Collar
  • Coat (Cold weather)
(Other locations props are already provided for)
            --> Hall way
            --> Bedroom
            --> Park

Monday 22 October 2012

How can I make my thriller appealing to my audience

(Joint Work with Abigail Fish)

Genre Research Statistics from 2010 - Secondary research


Genre:




In 2010 the highest grossing genre of film was Fantasy, followed by Science-fiction, Animation and then Romance. Thrillers were the ninth highest grossing films that year, averaging over £13,000 box office takings per site. The box office gross reached 19.3 million for thriller films in 2010. Fantasy was the highest grossing genre of film, because of the huge success of "Harry Potter and the Deathly Hallows Part 1". This shows that audiences are drawn to films which contain elements of fantasy, and also reaffirms the popularity of the Harry Potter series. 



From the graph above we can see that the majority of independent films have a 15 certificate rating. 15 certificate independent films also grossed the highest. Approximately 56.6% of UK films have a rating of 12A. This is because, generally, 12A (family orientated) films appeal to a wider audience and therefore make more money.     





The above table shows the highest ranking films/film genres in terms of gross box office. 20 thrillers were released in the UK in 2010, grossing at 19.3 million pounds. The thriller genre ranked 11th in the whole table (which contains 15 genres altogether), suggesting that either the genre has not been particularly popular recently, or perhaps that the films released under the thriller genre in 2010 were not as well-received as other films. 


Audience Research statistics from 2010

From statistics in 2010, the average age group to attend the cinema was 15-34 years old. 30% were from the 15-24 age group and the other 20% were from the 25-34 age group. The lowest age group with 8% attending the cinema were 45-54 year olds. The increase in attendance from the 15-24 year old age group could be attributed to this age group socialising more, and going out more often. 18% of cinema goers are in the age group of 7-14 year olds. This is because young children need to be accompanied by an adult and don't tend to go alone or with friends, especially at the ages 7-13.          

Gender Audience Research:




61% of cinema goers who went at least once a year were male and 62% were female. More males go to the cinema at least once a month than females, and an average of 19% overall go to the cinema at least once a month. 


The tables above show which films released in 2010 had a predominantly female or male audience. The third table shows the films for which audience gender was not significant. More females seem to have attended 'girly' films which involve romance. Where as males attended films which contained action, violence and a bit of comedy.    




It is a surprise to see that 80% of people watch films on TV then owning them on DVD. 4% go to the cinema which is once again very surprising but the prices are probably a deterrent especially due to the current economic climate. 
One of the top thriller films is The Ghost in 2010 with 12 releases and 8.33% total box office, ranked 5th in UK Independent films.  



Thriller needs to:

Appeal to both genders
Invite Thriller lovers
Action, Fantasy and Romance = Wide audience range



Rotten Tomatoes    (Own research)

The Dark Knight Rises received a positive reception. This is due to the 3rd of a trilogy and of course batman fans will want to see it. Batman does appeal to more males in general and the once again basic plot line (stereotypical superhero) which could be the cause to why the percentage on the "tomatometer" is lower than for Looper. The target audience rules out females with some exceptions due. I think the focus is of Batman being well known and it being the 3rd in a trilogy makes the film more of a "big deal" than other thrillers.




Looper has the highest meter rating due to a better plot line than Batman. The comments by critics are positive and gives you all the good points about the film. Less audience liked it, maybe due to the genre and the gender clash. More males maybe liked it, like in Batman which lowered the audience. 



The ratings aren't as high but this could be caused by the plot line of characters. It focuses around a teenage girl which would lower the appeal for males. Even though some people are in denial, more of a male cast is more successful. The plot line also is predictable which would lower the reviews.



Wednesday 17 October 2012

Thriller Development #2: Synopsis

Opening Sequence

We see brief snippets of the daily routine of the protagonist: getting up and opening the curtains in the morning, leaving the house to catch the bus, the bus journey to work/college, walking the dog. During each snippet of each part of the routine, we see a figure in the background, apparently watching the protagonist. The figure is never seen clearly, and is stood off-centre in each shot. The music is quiet, eerie, and ambient. The shots of the daily routine are inter cut with shots of the protagonist talking to a therapist, in a small office. The protagonist explains that for some time they have been watched. They never felt threatened, or scared – just that they were being observed. We then see a shot of the protagonist’s front door. Through the frosted glass of the front door, we see the blurred silhouette of the antagonist. They raise a hand, and scrawl a message on the glass backwards. They rest their hand on the glass, and the sequence ends.



Sequence

1 - Inside therapist's office. Protagonist begins to talk.
2 - Protagonist continues into voice-over. Shot of them opening bedroom curtains. Antagonist is seen in the street outside, under a street lamp.
3 - Tracking shot of protagonist walking down the road, to bus stop.
4 - Shot of protagonist at bus stop, then boarding bus, and bus leaving.
5 - Shot from protagonist's P.O.V. looking out of bus window. Antagonist is seen in the distance.
6 - Protagonist leaving college/work, antagonist lurking behind them/in the background.
7 - Protagonist leaving house, walking dog in woods. Antagonist seems closer.
8 - Shot of protagonist's hallway and front door. Antagonist stood behind door. Camera zooms in slowly/tracks toward the door, as the antagonist writes a message on the glass. Antagonist rests hand on glass, leaves bloody handprint. Sequence ends. 

Possible Titles

"Creep" 
"Quietus" 
"Delirium" 

Final Title Choice "Hysteria" We chose this title because of the connotations of the word. The two possible definitions of the word are 
(1) an uncontrollable outburst of emotion or fear, often characterized by irrationality, laughter or weeping, 

and (2) a psycho-neurotic disorder characterized by violent emotional outbreaks, disturbances of sensory and motor functions and various other abnormal effects. 

If a person is hysterical, we define them as being emotionally unstable, and possibly physically violent - a danger to themselves and to others. Although the beginning of our opening presents the antagonist as being calm, and not particularly intimidating, in the very last shot we see the antagonist suddenly as being extremely threatening. This sudden change reflects the sudden, violent outburst that the title alludes to. Even the protagonist is represented as someone who is undergoing therapy - clearly they too have a fragile mental state, in need of repair.

(Taken from Abigail's blog and I contributed with evaluating why we chose Hysteria as the same of our Thriller) 

Friday 12 October 2012

Thriller Development #1: Brain Storming

Friday 12th October:

In media we got into our groups and started to brain storm. We had agreed to film Abi's Idea but with a few changes and adaptations.

We concluded there to be 3 main characters: The Protagonist, Antagonist and The Therapist. 
On each we went into detail of the costume ideas that we had in mind. 
Also started to consider props we could use. The chair so far is the issue.  



We started to think of location ideas and the majority can be done in Foulsham which is handy because 2 of the 4 of us live in Foulsham. For each location we thought of the scenes which aren't finalized but seems the best option due to convenience.





Opening Monologue Draft One: 

I’ll never forget what I did. I try to forget it, but I can’t. It finds me at night, 

and taints my dreams. When I’m alone. When its dark. I can’t forget. It’s 

always there. Just like he was. Always there, always watching. I thought he 

was watching over me. I thought I was safe

Thursday 11 October 2012

Continuity Video and Group Thriller Idea

Group Thriller Idea: 

Group: Alice Denmark, Abigail Fish, Sophie Jarvis, Becky Wade 


We all liked Abigail's idea of the figure stalking the protagonists life and have decided to do that for our thriller opening: 

We see brief snippets of the daily routine of the protagonist. Getting up and opening the curtains in the morning. Leaving the house to catch the bus. The bus journey to work/college. During each snippet of each part of the routine, we see a figure in the background, apparently watching the protagonist. The figure is never seen clearly, and is stood off-centre in each shot. The music is quiet, and eerily ambient. A short voice over by the protagonist declares that for some time they have been watched. They never felt threatened, intimidated, or scared – just that they were being observed. The protagonist says that for a while they thought their observer was like a guardian angel, perhaps. We then see a shot of the protagonist’s front door. The voice over changes tone and they say that now things have changed, and they don’t feel safe. Through the frosted glass of the front door, we see the blurred silhouette of the observer. They raise a hand, and scrawl a message on the glass backwards. They rest their hand on the glass, and the sequence ends.







Continuity Video by Alice, Becky, Chris and Hayden

Tuesday 9 October 2012

Deconstructions & Thriller Ideas

Deconstructions
LOOPER
Connotations: A looper has no defined meaning. As the film is a sci-fi action thriller then Looper in this context could be some sort of being or a job as most sci-fi's are based in the future. Looper could have something to do with time travelling (Loops through time).   
(One word title)

Typography: The font is a modern and sci-fi style. The light coming from behind the title is blue with a bright white centre. It follows along with the typical sci fi style font which is sans serif (Basic and Simple). The lettering is all in capitals so its easier to read but also the sci fi style follows this pattern. You'd find capitals in computer coding possibly? We can gather that science is involved from the present + because its not the stereotypical font style you'd find in a period piece of film work.   
THE CABIN IN THE WOODS
Connotations: The title suggests the plot line to the story is about a cabin in the woods. By putting "The" in front of it means the cabin is of some importance, The Cabin not A Cabin. The title sets the scene of where the film takes place.  

Typography: The font type looks like Times New Roman. The points and bendy curves in the font give it a essence of horror about it. The scratches over the text imply a darker atmosphere and meaning. Horror Thriller?  The scratches could be from nails (trying to get away) or the dragging acorss the floor like in one of the many paranormal activities. The black stands out against white, the white is almost like a paper texture. In captials once again (Easy to read).
--------------------------------------------------
Thriller Ideas
Idea 1:

Plot: A girl/boy is being stalked by sending random and threatening messages like "I watch you sleep" or "Why is your skin so soft?". This then builds up to when the character gets lost on a friends camping trip and the Stalker follows him into the wood. They get further and further into the woods trying to find a way out but is unable to. They then face their stalker in the woods......

Possible Location: Bintree Woods (Spooky as well as peaceful. Echoes)

Idea 2:

Plot: A teenage girl/boy mourns the death of their father after he is murdered but the murderer is never caught. The teenager is then convinced the murderer is still out there and asks the police to keep looking, when they say no the teenager goes looking themselves. Eventually tracking down the murderer and finds out the father owed money. The debt still needing to be paid, the teenager runs for their life. It ends with the murderer being caught by the police and the teenager in a wheel chair from being hit by a car while on the run from the murderer.   

Possible Locations: Drayton? Norwich? Fakenham? Town based locations 

G321 Thriller Research: Scene Analysis




1)  
Body of lies [2 minutes]
Background:
Certificate: 15           
Time: 128minutes   
Genre: Action, Drama, Thriller
Director: Ridley Scott
Budget: $70,000,000
Box Office Returns: $115,097,286
Produced by: Ridley Scott & Donald De Line
Release Date: October 5, 2008
Made in: United States

How is the antagonist and/or protagonist represented in the scene?

(Antagonists)
The antagonists in this scene are shown in the shadows. Their faces are darker and the light is behind them so it gives the idea that the light (good) has left them. Their surroundings are also dark and consist mainly of shadows. The man laying down is turning away from the light, so he's turned his back on good. He is also holding a book, which shows he is literate but he is not reading it because he's given up. This could also suggest he is distracted and his thoughts are focused on something greater. Turned away from that like he has with the light. Their faces are shadowed by the dark and almost blend in with the background to show that they don't want to be seen or found. We get the impression they are hiding. Hiding from the protagonist? They also speak in a different language, even though it’s an English made film. Over time that is seen as evil, if a character is either speaking a different language or has an accent they tend to be bad because the hero is English (James Bond). So we assume they are the antagonists because of the semiology and the representation they are given. Even though we see them as normal people they are shown as the bad guys, we associate antagonists as the dark (Black Vs White) so there is a huge contrast between the antagonist and protagonist. We automatically think this so even the smallest things such as shadows (playing with light intensity) effects the way we see things.


(Protagonist)
The protagonist is shown all in black but out of the shadows. The sound of the train going over as they move suggests they are more of a unit, not individuals. Their faces are blacked out which makes you feel nothing for them, because we can't see their facial expressions we don't attach any emotion or feelings towards them. We see them as a unit and not as individuals. The Milkman is working for them so is a protagonist. You can see all of him but they made him culturally different so to not seem prejudice. The Milkman breaks up the action and builds suspense; he is wearing bright colours and is located in the light surroundings. This is evidence for the Helmut Nickel theory of White hats/Black hats.   


2)  
Taken: Phone Call [54 Seconds]


Background:
Certificate: 18          
Time: 93 minutes     
Genre: Thriller 
Director: Pierre Morel 
Budget: $25 million 
Box Office Returns: $226,830,568 
Produced by: Luc Beeson
Release Date: 27th February 2008
Made in: France

How is the sound used to create suspense and other effects in the scene?

Sound in this scene is used to create suspense and build tension while the protagonist makes a phone call to the antagonist. The tone of the phone call is very serious. The sound starts off in silence but as he begins to talk and threaten the music builds up into a eerie drone. Violins are a good tool to make the situation tense because of the ear screeching p
itch they reach. As the protagonist threatens the violins get more violent and aggressive. The aggressive use of the violins emphasises the danger the character is in and that of his daughter. It also emphasises how serious and determined the protagonist is because it adds weight too his threat. 
Heavy breathing in between each sentence down the phone adds tension because he isn't involved in the average conversation on a phone line. It reminds us that he is not talking to himself and that the person on the other end is listening. Once he finishes his speech there is a small silence after he threatens with "I will kill you," this gives us the impression the sound and music was to build up to the final line I will kill you, to express how serious and devoted the protagonist is to finding his daughter. 
It cuts to no music as the antagonist says only two words: "Good Luck". Shortly after the antagonist intimidates him with those words there is a crashing noise as if the phone was slammed down.
We then hear the dial tone, which lasts for a reasonably long time. This serves to allow the audience time to let the seriousness of the protagonist's deadly threat in the previous conversation sink in. The scene began with a dial tone, before the music began, and the scene ends with a dial tone, after the music has ended. 


Unlike Body of Lies, the Taken phone call scene is more linked to the Verfremdungseffekt theory. Which is the distancing effect and the opposite of Nickels idea. The protagonist is presented as being good but he just threaten to kill someone, which is an evil deed. This allows the audience to distance themselves and interrogate right from wrong. It is the same with the scene's semiology, dark and dressed in black. If we were to go by Nickel's theory then the protagonist would become the antagonist. The use of silence, violin build up and dial tones it has created suspense and tension.  

3)    
The Dark Night: Final Joker Scene [2:53]

Certificate: 12A         
Time: 152 minutes    
Genre:  Superhero Thriller
Director: Christopher Nolan
Budget:  $185 million
Box Office Returns: $1,003,045,358
Produced by: Christopher Nolan, Emma Thomas, Charles Roven
Release Date: July 18th, 2008
Made in: United Kingdom & United States

How Conventional is the costume of the protagonist and the antagonist in this scene? 

In batman the costumes are not at all conventional. The joker is wearing bright colours and doesn't follow the rules of a conventional, traditional villain. For a villain his costume is less focused on the Nickels idea of wearing black, dark clothing and wears bright clothing but is character has more of a disturbed nature. The make up is smeared and generally clowns terrify people. So the Jokers comes across as more psychotic as well as evil. The Dark Knight is the opposite of the Nickels Theory but doesn't fit in with the Verfremdungseffekt theory either. The bright colours of the Jokers costume could symbolise the way he behaves. Bold and outrageous ideas with his costume also describes how his mind and villainous activity work. The jokers make up as said before could suggest he is more of a mind plagued villain and likes to concentrate on mind games. Coulrophobia (fear of clowns) is a common fear and most people can relate to it. This would effect the audience by unnerving certain people and the sick, twisted games from the Joker and other features (such as his laugh) would make you feel uneasy. The Jokers costume does represent his character.    

The batman also contradicts both Nickel and Verfremdungseffekt theory's. He is all in black, his face is covered and he is hidden in the shadows, yet he is the protagonist. Like with the antagonist, the protagonists costume also reflects on his status. Black and covered up means he doesn't want to reveal his identity and hides away in the shadows, which is the way the Batman acts. He is like an outlaw but he's doing good and not evil as his costume would suggest if you didn't know from first glance he was the good guy. The film collapses both theory's about effects and techniques used to portray the characters and their effect on the audience. In comparison to the Joker we would seem happier with the Batman because his costume is less intimidating than the Jokers, but is still intimidating in general. In conclusion the costume is in no way conventional to what is expected as a thriller film, but it works because of the characters nature. Costumes of characters tells us a lot about the way they act when posing as "The Batman". There is a similar set up in the film, "Sin City" with Marv being a protagonist but could be misinterpreted as the antagonist.  

In contrast to Body of Lies and Batman the costumes are completely different. Batman contradicts both theory's, where as Body of Lies follows Nickels theory and follows the conventional costume to portray the 'goodies' and the 'baddies'.